Who we are

Multi-award winning Pigfoot Theatre tell stories about the climate and ecological crisis, with the least carbon impact possible. An associate company of English Touring Theatre (ETT), our work ‘practises what it preaches’ (The Sunday Times on Pigfoot) and protests within an industry which, in London alone, has a carbon footprint of 50,000 tonnes a year.

Our bike-powered family comedy ‘How To Save A Rock’ has toured with ETT to Northern Stage and Theatre By The Lake, with Battersea Arts Centre & Found in Music, and with support from Slung Low to the Albany, Camden People’s Theatre, Poplar Union, the Pound Arts Centre, and more.

HOT IN HERE (an energy-generating dance party), co-produced by the Gate Theatre, commissioned and supported by Camden People's Theatre, toured across the UK in Autumn 2022 to venues including Theatre by the Lake, York Theatre Royal, MAST Southampton, the North Wall Arts Centre, the egg Bath, mac Birmingham, ARC Stockton Arts Centre, Nonsuch Studios, and Contact Manchester.

Our new show, Hostile Environments, supported by Boundless Theatre’s Accelerator programme, will begin development in 2023.

We have also run workshops, delivered sustainability consultancy, and run engagement programmes for organisations including the National Theatre, Southbank Centre, Rambert, HOME Manchester, and Guildhall School of Speech and Drama.


Pigfoot began in Oxford, producing site-specific work by the River Thames and at the Oxford Playhouse. Pigfoot became carbon-neutral in 2018 - find out more about our methods and about what being an environmentally sustainable company means here.

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Hetty is a theatre director & facilitator who works collaboratively to tell stories which are both political and playful. Hetty's credits as director with Pigfoot include Co-Directing HOT IN HERE and How To Save A Rock. Other directing credits include SHARP (LAMDA Mish Mash Festival), Pepi and Me (Camden Peoples Theatre), Yes Chef (R&D: The Roundhouse, Unity Theatre), A Perverts Guide to the Internet (R&D: Sheffield Theatres), Beats (NSDF), Yen (Edinburgh Fringe), and Assistant Director on Fanboy (Workalight Theatre, Soho Theatre, National Tour) Miss Julie (Elysium Theatre, North East Tour). Alongside directing, she works as part of the production team at the National Youth Theatre and has worked as a freelance producer for organisations such as Boundless Theatre.

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Bea is a theatre-maker, director, and facilitator dedicated to making work about the climate crisis. She has directed shows at venues including the Oxford Playhouse & North Wall Arts Centre, and assistant-directed/produced Poltergeist Theatre's ‘Lights Over Tesco Car-Park’ (New Diorama; Pleasance, Islington, Edinburgh). Director/Co-Director credits include: How To Save A Rock (UK Digital tour) and HOT IN HERE (UK tour). She has facilitated workshops and engagement programmes for schools, universities and organisations including the National Theatre, In Good Company and Rambert.

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Camille is a Guyanese, Freelance Producer from South West London. She is currently Producer for LUNG and Pigfoot Theatre, she has just completed producing successful R&Ds and performances for Josie- Dale Jones's ThisEgg, The Last Ice Cream Man by Zoe Alker, Directed by Imy Wyatt Corner & Our First Daytimer by Jonny Khan. Her focus is on producing multi-disciplinary work for touring.

Pigfoot is run by artistic directors, Bea Udale-Smith and Hetty Hodgson, and producer, Camille Koosyial. We create and collaborate with a lot of incredible creatives. You can find our contact details here.